Unlocking discounts on a fascinating journey to the NHM mummies with promo code is an exciting opportunity for any history enthusiast. With this exclusive offer, users can embark on a thrilling adventure through the National History Museum and witness the awe-inspiring mummies up close. The user experience is seamless and straightforward, with easy access to the promo code and a hassle-free booking process. Don’t miss out on this chance to explore the secrets of ancient Egypt and save money while doing so!
What is the NHM Mummies exhibit?
The NHM Mummies exhibit is a fascinating display of ancient human and animal remains from various parts of the world, preserved through natural or artificial means.
How do I unlock discounts for the NHM Mummies exhibit?
You can unlock discounts for the NHM Mummies exhibit by using a promo code during your ticket purchase online or in-person.
What kind of discounts can I expect with the promo code?
The discounts you can expect with the promo code may vary depending on the offer available at the time of purchase.
Is the NHM Mummies exhibit suitable for children?
The NHM Mummies exhibit may contain graphic images and information that may not be suitable for young children.
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2. The fascinating journey through the museum was made all the more enjoyable knowing that I had saved money on my ticket thanks to the promo code.
Paris , No. XLV, No. It was a time when people in various disciplines – educationists, sociologists, psy- chologists and museology students – began to show an interest in examining communi- cation in the museum environment. The increasing availability of support from re- search funding bodies enabled high-quality studies to be completed, which led to an increasing acceptance of, and a greater demand for, such work. In the present climate the effects of serious financial constraints, brought about by government funding policies, the economic recession in the late s and early s, and competition between the increasing number of museums, science centres and heritage sites, have brought a new focus to visitor-study efforts in the United King- dom. Work is now more likely to be market-led and more aware of the need for accountability in the use of public funds. I A new kind of museum professional is emerging. Many museums have fully staffed marketing departments, and even muse- ums without specially trained staff are likely to have marketing policies. The most recent code of conduct pub- lished by our Museums Association states that museum professionals should be pre- pared as a general management principle to participate in the evaluation of their work and take the results into account in their future plans. The guidelines encour- O UNESCO age the analysis of feedback from visitors on the quality of, and the popular response to, exhibition work and other services. Many museums must now demonstrate that public money is being wisely spent on exhibitions – a new cost-effective dimen- sion to visitor-study work. The large na- tional museums, which are funded by the government through the Office of Arts and Libraries, have mandatory performance indicators on which they must report. Gathering the required information in- volves considerable time, effort and cost, and while larger museums may have the resources to formalize the work, smaller museums wil be hard-pressed if they are required to make similar reports in future. There is a danger, too, that more explora- tory investigations over the whole range of national museum activities not just those related to quantitative performance meas- ures wil no longer be undertaken there wil be little time, money or attention available for such work. Four case-studies follow, outlining work that has been completed recently or is still under way. The differing institutional and funding arrangements behind each study should be noted. For many years the marketing department has commissioned work from a large public- opinion survey company. In , Mr T. Eastern Collections staff at the museum managed the project and the new gallery was opened in The arrangement of the material has been heavily influenced by preliminary studies undertaken by the public-opinion survey company and on a smaller scale by the Far Eastern Collections Department itself. The aims of the studies were to explore a range of new presentational ideas using information from the museum audience to help decide the layout of the new gallery and to provide greater insight into the preparation of exhibitions. Two studies were undertaken, with the larger and more expensive survey con- ducted by the public-opinion survey com- pany. It was designed to define the needs and preferences of the potential audience with regard to the presentation and expla- nation of the collections. The survey tar- geted groups which the museum hoped to attract, more strongly than in the past, to an exhibition on Chinese Art. These groups included senior-school students and teach- ers of art, design, religious studies and history, parents of Zyear-old children and adults and teachers from the Chinese community. The key ingredients for a successful gallery which this potential audience identified were a a wide variety of objects pre- sented within themes b large and legible labelling c the provision of photographs and illustrations to provide a context for the objects displayed d in-depth infor- mation presented on video e the use of a minimum number of objects to display the range and depth of any particular category of items 0 explanatory diagrams and information, which were regarded by the respondents as just as important as the accompanying objects and g the label- ling of exhibits in Chinese. The second and smaller study was con- ducted by the staff of the Far Eastern Collections Department. The target audi- ence consisted of the actual visitors to the old Chinese Gallery. The department staff sought advice from the Natural History Museum on the design of their question- naire, and conducted and analysed the survey themselves. The survey showed that the majority of visitors to the old gallery were not aware of the chronological order of the displays. Further questions dealt with the interest in differ- ing aspects of Chinese culture, and the use of supplementary information, video and audio guides.